Study of King Gojong's costumes in his excursion on a royal carriage,-Focused on the "Dongga painting of the Korean empire"-

Young Mi Gu, Na Young Hong

Research output: Contribution to journalArticlepeer-review

Abstract

This study examined the characteristics of the royal progress and regulations on costumes in the king's excursion by a royal carriage and then investigates King Gojong's costumes in "Dongga Painting of the Korean Empire". To examine the regulations on costumes in the king's excursion by a royal carriage, there are unique costumes, 'Ikseongwan and Gangsapo' for the great memorial service for ancestors during the Korean Empire period. 'Ikseongwan and Gangsapo' are not provided in the code during the Joseon Dynasty period. Thus, it was not provided in the regulations, in the actual execution of the ritual, the king put on 'Ikseongwan and Gangsapo,' so entering the Korean Empire period, it was legislated as 'Ikseon-gwanbok' in Daehan-yejeon. There is a scene in the "Dongga Painting of the Korean Empire" in which the king pays a visit on Yeon, holding 'Gyu' in 'Ikseongwan and Gonryongpo'. However, holding 'Gyu' on Yeon in 'Ikseongwan and Gonryongpo' can be seen in King Gojong's royal procession to hold Jongmyo Chunhyangdaeje in the year of Gabo (1894). This study showed that there was a compromise for the ritual despite not being regulated by law.

Original languageEnglish
Pages (from-to)441-451
Number of pages11
JournalJournal of the Korean Society of Clothing and Textiles
Volume44
Issue number3
DOIs
StatePublished - 2020

Bibliographical note

Publisher Copyright:
© 2020, The Korean Society of Clothing and Textiles.

Keywords

  • Daehan-yejeon
  • Dongga painting of the Korean empire
  • Gangsapo
  • Ikseongwan
  • King gojong

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